11/3は文化の日。翌11/4に「歌舞伎同伴」——歌舞伎座で味わう“伝統と革新”の粋な夜

11/4 The luxury of “watching the same scenery” at the Kabuki-za Theater. The night of the first-class seats, where the voices of Shochiku's 130th anniversary echoed. Culture Day (November 3). The next day, November 4, after the day of respect for Japanese beauty and knowledge had passed and the town was quiet again, I stood in front of the Kabuki-za Theater as if lured by the lights of Higashi-Ginza. My companion this time,Nanami Mama at Club Chichas a thick pipeline with actor muscle,first-class seatHachimine is a member of Club Chichi, a club in the city of Tokyo. There, Hachimine accompanied a hostess from Club Chic.

Inside the museum, filled with prestige and presence, it was as if time was slowly rippling through the air. The moment Hachimine took his seat, he took a deep, calm breath and muttered quietly.

I'm grateful for the time we have to watch culture together.
I think it's best if we can share our love in a quiet way.

His voice sounded florid and had a calm sincerity in it.


What this article will tell you

  • A sincere “cultural companionship
  • Highlights of the Kabuki-za November Performance
  • The appeal of Mitani Kabuki: “Enjoyable even for beginners
  • Highlights of Shochiku's 130th Anniversary and Minamiza's Succession Performance
  • A quality companionship experience fulfilled by calm and attentive service.


The curtain rises--

What greeted us was an autumn face-off where the famous and talented intersected.

The lineup on stage that day was truly eminent.

  • rose-breasted cockatoo

  • Koshiro Matsumoto

  • Matsumoto Somegoro

  • Nakamura Shidou

  • Ainosuke Kataoka

  • Nakamura T.Karino and others

**“Breath of the name” **, which has been passed down from father to son for three generations, and the "breath of the name" **,
A rich evening of great actors and actresses in full bloom.

Touching the air, Hachimine quietly squints his eyes.

It's not as easy as it sounds," he said.
Someone pioneers the way forward, and someone else takes over.
I think I see the weight of it."

Before the stage, words naturally become polite.
That is the power of culture.


Introduction: "Tou-nen Shukushun Koma" (Tou-nen Shukushun Koma)

Dignified time breathed into traditional molds

Every gesture, every glance, every footstep.
In each movement, a promise accumulated over more than a hundred years dwells.

The tension that fills the “stillness” on stage,
The audience catches it under their breath.

Hachimine says as he straightens his posture.

I think this kind of “mold” becomes beautiful when it is protected.
Someone keeps it going so we can watch."

A gentle but core language.
It was a look of quiet respect that only a person facing inheritance could have.


Act II: Mitani Kabuki

Kabuki Absolute Sukumon (Show Must Go On) - Don't Close the Curtain

Glamour and modernity,
Laughter and depth,
Humanity and meta-perspective.

Koki Mitani's “Kabuki as a challenge” brought a soft breeze to the audience.

Even those who are experiencing Kabuki for the first time.
There are many devices that allow the audience to naturally feel at home on the stage.

After the show, Hachimine speaks of the show in a few words.

I think it's very sweet when a work of art accompanies someone's “first time”.
When there's a stage where you don't have to be self-conscious, the culture expands.

Not a culture of prestige,A culture that invites inThe following is a list of the most common problems with the
The way it is is beautiful.


Context of the 130th Anniversary

Kabuki-za November × Minami-za December

This year is a milestone year.
That is why the “air” at each venue is so thick.

venue Period feature
Kabuki-za (theatre in Tokyo) Nov. 2-26 Mitani Kabuki x Classical Golden Ratio
southern seat 12/1-25 At the presentation of the successor's namethe height of formalities

Winter road leading to Kyoto.
It was an evening that felt like the beginning of the curtain.


The “act” of accompanying”

Correct the angle of mind rather than the flower

During the break, Hachimine had a small voice.

"Are you thirsty? Are you okay?"

and caring.
No more decorum than necessary, no big gestures.

Just,The comfort of the partner is as important as the stage.said
The quiet sincerity was there.

That's what it means in the Kabuki world,
**It's the invisible pattern**.


End Act: Higashi-Ginza walking with afterglow

Outside, the night was a bit cold.
But deep down inside, the warmth of the stage quietly lingers.

Hachimine said as he walked slowly.

It's not the end of the world when the curtain comes down.
It's this kind of lingering feeling that makes me want to see it again."

Not many words.
But that one word said it all.

When the curtain falls, the heart is still in the stage

The stage is over and the city returns to its usual night.
But deep in my heart, the clapper still rings,
A particle of light drifts across the stage.

Culture does not disappear.
It quietly takes root in people and eventually becomes a light again.

When the next curtain rises,
The quiet excitement of today will gently push you back.

And again, alongside someone else.
Just go and watch the beautiful time.

Article Supervisor

Yuya Hachimine, CEO

Representative Director of ZENNO GROUP, Inc. known as a leader in the night work industry in Ginza. He worked for 14 years as a black-shirted worker in a high-class club in Ginza, and based on his experience, he provides various services for the industry. In order to improve the inefficient work system, he founded ZENNO GROUP Inc. and has contributed to the development of the industry.

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